from unleashing the most heart-shreddingly adorable new dog breed, ensuring Boss a promotion that will sweep him right out of the Templeton house forever. The Boss Baby is a laugh-out-loud funny movie Featuring Alec Baldwin doing the voice of the baby, the plot focuses on Baby Corp., which sends down babies. (Which, if they’re taking them to conveyor-belt films like The Boss Baby, there are plenty.) With no love lost between Tim and Boss, the unwilling siblings agree to work together to stop Puppy Co. but which clearly would thrive so long as there are parents who refuse to inform their children where babies actually come from. A story about how a new babys arrival impacts a family, told from the point of view. It’s quickly revealed that Boss Baby is, in fact, a hyper-sentient, ruthlessly ascendant upper-level case manager at Baby Corp., a company theoretically in danger of losing its market share to Puppy Co. PG 1 hr 37 min Mar 31st, 2017 Comedy, Animation, Family. Baldwin plays the unwelcome baby brother to Tim Templeton, a seven-year-old who’s enjoyed enough time as an only child that you latently suspect his virulent reaction to getting a baby brother-immediately suspecting the infant to be, in actuality, a corporate wheeler and dealer-represents a kiddie matinee experiment with the literary concept of an unreliable narrator. Older brother Tim Templeton (now voiced by James Marsden) is grown up and married to Carol (Eva Longoria), with two girls: 7-year-old Tabitha (Ariana Greenblatt) and toddler Tina (Amy Sedaris). That the title character is portrayed by Alec Baldwin, the same actor currently mocking-and, yes, normalizing-our encephalitic head of state on Saturday Night Live, is undoubtedly a coincidence. Boss (2017) on IMDb: Movies, TV, Celebs, and more. THE BOSS BABY: FAMILY BUSINESS is the sequel to 2017s The Boss Baby and takes place many years after that films conclusion. And this DreamWorks Animation misfire is a calculated, media-savvy fraud that seems to emerge from a parallel, unapologetically crass alternate universe ruled by the least culturally qualified gatekeepers. Appropriately, Clark’s take on talking toddlers was moronic but irrepressibly itself, the cinematic equivalent of a doddering fool fumbling with his rain poncho. The Dubya years begat one of film history’s all-time sequels no one asked for, Bob Clark’s Superbabies: Baby Geniuses 2, in which a kid actor playing the young version of Jon Voight’s crypto-Nazi character memorably whines, “I feel more German than American!” And now the Trump epoch, for as long as it lasts, gets the polished, soulless animated trifle The Boss Baby. Every Republican regime gets the ludicrous devious-baby saga it deserves. Movie Review: THE BOSS McCarthy and Kristen Bell can't quite get the comedic fires going in the story of a super-wealthy woman whose unfortunate assistant winds up embroiled in her evil cookie.